Cristina Garrido

Biography

Cristina Garrido (b. 1986, Madrid, Spain) is an artist based in Madrid. Having studied Fine Arts at the Complutense University of Madrid (2004-2009) and at Camberwell College of Arts (2007-2008), she obtained an MFA at the Wimbledon College of Art (2010-2011). She has been awarded by the Fundació “la Caixa” Grant for Postgraduate studies in Great Britain, received the prize Generación 2015 Proyectos de Arte Fundación Montemadrid and has been awarded with the the XV Arco Comunidad de Madrid Prize for Young Artist 2018 and the Fundación Botín Visual Arts Grant 2017-2018. Her work has been exhibited internationally in European and Latin American countries, with shows in the CASS Sculpture Foundation, the British Museum, Centro Botín, Centro de Arte Dos de Mayo and Fundación DIDAC, among others. Her work is included in the collection of Fundació MACBA, Centro de Arte Dos de Mayo (CA2M), Thyssen-Bornemisza Art Contemporary Privatstiftung and The British Museum, among others

 

Her artistic research investigates the value that is culturally assigned to objects; to a large extent, those objects classified as art. Her production, through specific, repetitive and meta-referential gestures, focuses on the circulation of these objects, the study of the exhibition, as well as the curatorial practice. Through these gestures, which take various forms (installations, publications, intervened objects, etcetera), Garrido seeks to expose the mechanisms of promotion and valuation of the art object, proposing a critical reflection about the – physical and digital – exhibition space and opening many of her works to the participation of others.

Download full CV

“Garrido seeks to expose the mechanisms of promotion and valuation of the art object, proposing a critical reflection about the – physical and digital – exhibition space and opening many of her works to the participation of others”.

Exhibitions

08 Sep—05 Nov, 2022
Paintings
Cristina Garrido
One of the most notable features of Cristina Garrido’s work is how she lays bare the disruptions and potentialities of images by leveraging the remake through explorative research or serendipity. He...
30 May—18 Jul, 2020
SCROLL
Pierre Descamps, José Díaz, Cristina Garrido, Miguel Marina, Enrique Radigales, Antonio Rovaldi
The English word stroll, from the German strolch [vagabond], differs in just one letter from scroll, another word that denotes displacement, but now used globally to refer to the digital rather than t...
08 Feb—06 May, 2020
Tierra Siena, azul de Delft, bermellón de China
Cristina Garrido
Cristina usually borrows things in order to make things. Perhaps she doesn’t know how to produce new things, perhaps she is intrigued by existing things. Perhaps she is one of those artists who are ...
18 Nov, 2017—25 Jan, 2018
Boothworks
Cristina Garrido
The film Boothworks, which lends its name to Cristina Garrido’s first exhibition at the gallery, is a pseudo-fictional documentary that narrates, from the optic of the future, how the current art ma...

Publications

He Needs Me | 30 ans de la Collection Veys-Verhaevert - The Goma
He Needs Me | 30 ans de la Collection Veys-Verhaevert
2024
El origen de las formas - The Goma
El origen de las formas
2024
Programa Art i Context (2021-2023) - The Goma
Programa Art i Context (2021-2023)
2023
Tino Grandío | Correspondencias - The Goma
Tino Grandío | Correspondencias
2023
The Best Job in the World - The Goma
The Best Job in the World
2022
Full House: 400 Pieces from the Frédéric de Goldschmidt Collection - The Goma
Full House: 400 Pieces from the Frédéric de Goldschmidt Collection
2021
The World Exists To Be Put On A Postcard - The Goma
The World Exists To Be Put On A Postcard
2019
The (Invisible) Art of Documenting Art - The Goma
The (Invisible) Art of Documenting Art
2019
Dialogue de l’Ombre Double - The Goma
Dialogue de l'Ombre Double
2018
Mil bestias que rugen - The Goma
Mil bestias que rugen
2017
Neue Anthologie des Schwarzen Humors - The Goma
Neue Anthologie des Schwarzen Humors
2017
Worlds in Contradiction – Areas of Globalisation - The Goma
Worlds in Contradiction - Areas of Globalisation
2015
Generación 2015 Proyectos de Arte Fundación Montemadrid - The Goma
Generación 2015 Proyectos de Arte Fundación Montemadrid
2015
Prácticas artísticas contemporáneas - The Goma
Prácticas artísticas contemporáneas
2015
Una mesa en LaVerónica: capítulo 4 [Bea Espejo, Cristina Garrido & Tania Pardo] - The Goma
Una mesa en LaVerónica: capítulo 4 [Bea Espejo, Cristina Garrido & Tania Pardo]
2015
They are these or they maybe others - The Goma
They are these or they maybe others
2015
BIAM 2014 – Biennal d´Art Ciutat d´Amposta - The Goma
BIAM 2014 - Biennal d´Art Ciutat d´Amposta
2013
POSTCARD NARRATIVES. Jeremy Cooper & invited artists - The Goma
POSTCARD NARRATIVES. Jeremy Cooper & invited artists
2013
Hacer en lo cotidiano - The Goma
Hacer en lo cotidiano
2013
The Postcard is a Public Work of Art - The Goma
The Postcard is a Public Work of Art
2013
Artists’ Postcards: A Compendium - The Goma
Artists' Postcards: A Compendium
2012
XXIII Circuitos - The Goma
XXIII Circuitos
2012

News

Bombon Proyects - The Goma
19 Nov, 2024
Cristina Garrido
Bombon Proyects

Cristina Garrido
5 exposiciones
Solo exhibition
18.11.2024—13.01.2025
Bombon Projects, Barcelona, España.
There’s more to the problem - The Goma
25 Oct, 2024
Cristina Garrido
There’s more to the problem

Cristina Garrido
There’s more to the problem
Group exhibition
26.09.2024—27.10.2024
META Spatiu Art Gallery, Timisoara, Romania.
PHotoESPAÑA - The Goma
07 May, 2024
Cristina Garrido
PHotoESPAÑA

Cristina Garrido
El color es un invento extranjero
Solo exhibition – PHotoESPAÑA
17.05.2024—07.07.2024
Municipal Hall «Las Francesas» Valladolid.

Cristina Garrido explores the historical relationship between painting and geography and considers how our relationship with the landscapes in which we grow up shape our way of being in the world. Inspired by the celebrated quip by Jorge Luis Borges, ‘Local colour is a foreign invention’ [it emerges from others looking at us, not from...
Un cuarto cálido, toma estas paredes por piel. - The Goma
16 May, 2024
Cristina Garrido
Un cuarto cálido, toma estas paredes por piel.

Cristina Garrido
Un cuarto cálido, toma estas paredes por piel. 
Group exhibition
Curated by Ángeles Sánchez Rigal
17.05.2024—21.07.2024
La Sala Verónicas, Murcia.

La Sala Verónicas is exhibiting until July some of the works compiled by the collector Avelino Marín with a common thread: the body, animals and habitat.
The Ecologies of Peace - The Goma
23 Apr, 2024
Cristina Garrido
The Ecologies of Peace

Cristina Garrido
The Ecologies of Peace
Group exhibition
Curated by Daniela Zyman
26.04.2024—30.03.2025
TBA21 Thyssen-Bornemisza Art Contemporary/
C3A, Centro de Creación Contemporánea de Andalucía, Córdoba

Amid loss, mourning, and the ravages of war, the yearning for peace becomes ever more urgent. And yet, peace, once a beacon of hope alongside freedom, sovereignty, and democracy, now finds itself ensnared in a web of contested ideas and polarizing demands. The Ecologies of Peace frames peacefulness beyond the binary of war and peace to take...
Postkartenkilometer. Artists’ Cards in Europe from 1960 until Today - The Goma
02 Nov, 2023
Cristina Garrido
Postkartenkilometer. Artists’ Cards in Europe from 1960 until Today

Cristina Garrido

Postkartenkilometer. Artists’ Cards in Europe from 1960 until Today

Group exhibiton

10.11.2023—  18.02.2024

Kupferstich-Kabinett

Dresden, Germany
Tino Grandío. Correspondencias. Colección de Arte Abanca - The Goma
25 Oct, 2023
Christian García Bello, Cristina Garrido
Tino Grandío. Correspondencias. Colección de Arte Abanca

Christian García Bello, Cristina Garrido

Tino Grandío. Correspondencias. Colección de Arte Abanca

Group exhibition

26.10.2023—  27.04.2024

Centro Obra Social Abanca

Santiago de Compostela, Spain
La ocupación. Carta blanca a Cabello/Carceller - The Goma
03 Oct, 2023
Cristina Garrido
La ocupación. Carta blanca a Cabello/Carceller

Cristina Garrido

La ocupación. Carta blanca a Cabello/Carceller

Group show

20/10/2023

Museo Patio Herreriano

Valladolid, España

“La ocupación. Carta blanca a Cabello/Carceller” is an exhibition that has its main singularity in the ambivalence of its format. The project is halfway between the retrospective exhibition and the specific work, as it brings together a good number of pieces made by Cabello/Carceller since the nineties and a large set of works selected by...
Boothworks - The Goma
01 Jun, 2023
Cristina Garrido
Boothworks

Cristina Garrido

Boothworks

Solo show curated by Francesco Giaveri

16.06.2023 — 14.10.2023

Museu d’Art Modern de Tarragona

Tarragona, Spain

How does our perception change depending on whether we are in a studio, a museum, a gallery or an art fair? What elements concur to modify our experience? Boothworks by Cristina Garrido (Madrid, 1986), is a project that explores the relationship between contemporary art and art fairs. She does so in an ironic and mordant way,...
El origen de las formas - The Goma
01 Jun, 2023
Cristina Garrido
El origen de las formas

Cristina Garrido

The Origin of Forms

Solo show curated by Tania Pardo

Junes 10th 2023 — January 7th 2024

CA2M, Centro de Arte Dos de Mayo

Móstoles, Madrid

Opening: Saturday June 10th at 12:00 pm

The project, conceived specifically for the CA2M Museum and entitled The Origin of Forms, is based on the exhibition The Best Job in the World, held in 2021. In that project, Cristina Garrido investigated the figure of the artist who gives up art, by means of several conversations she held with Spanish artists who were...
Una colección privada - The Goma
09 Feb, 2023
Christian García Bello, Cristina Garrido
Una colección privada

Cristina Garrido

Una colección privada

Group show curated by David Barro

11.02.23

Fundación DIDAC

Santiago de Compostela, España

A private collection that is not grandiloquent or extravagant, that does not revolve around a single specific theme and that has remained unreleased until now. Its discreet condition is directly proportional to its level of demand and complexity, being capable of saying too much while still telling too little. Artists: Alberto García Alix, Allen Rupperberg,...
Historia y misterio de una colección: MAC - The Goma
30 Nov, 2022
Cristina Garrido
Historia y misterio de una colección: MAC

Cristina Garrido

Group show

01.12.22 — 26.02.22

Espacio Cultural Serrería Belga

Madrid, Spain

 

Some of the pieces that the public will be able to see cover the city of Madrid as a landscape, echoing its origins and its evolution until it became the metropolis of today. The School of Vallecas, the realists of Madrid, the Pop from la Movida and ARCO art fair cross the city plasticity.
Louise Lawler: entre el documento y el objeto artístico - The Goma
29 Nov, 2022
Cristina Garrido
Louise Lawler: entre el documento y el objeto artístico

Cristina Garrido
Conference ‘XI Curso de Introducción al Arte Contemporáneo’
17.11.2022
CENDEAC
Murcia, Spain

Fifth installment of the ‘XI Curso de Introducción al Arte Contemporáneo. ¿Qué se debe? Los artistas contemporáneos rinden cuentas con sus referentes’, where Cristina Garrido talks about her referent artist, Louise Lawler.
When does a performance end? - The Goma
18 Oct, 2022
Cristina Garrido
When does a performance end?

Nerea Ayerbe in conversation with Cristina Garrido

Moderated by Carlos Fernández-Pello

¿How long does a Performance last?

27.10.2022 at 7:30 pm

Calle de Fúcar 12

Galeria The Goma

Since its emergence in the late 1950s, performance has been defined as an ephemeral action that takes place in the physical co-presence of the artist and the viewer in a given place and time. From this definition the impossibility of its documentation has frequently been derived, with the argument that it would be unfaithful to...
Obra Abierta - The Goma
03 Nov, 2022
José Díaz, Cristina Garrido, Miguel Marina
Obra Abierta

Cristina Garrido, José Díaz, Miguel Marina,

Obra Abierta Premio Internacional de Artes Visuales

07.10.2022—08.11.2022

Fundación Caja de Extremadura

Centro Cultural Las Claras, Plasencia

La IX edición del Premio Internacional de Artes Visuales Obra Abierta ha recibido 680 obras, clasificadas en las siguientes categorías: 330 de pintura, 123 de escultura, 100 de fotografía y 94 de arte digital, vídeo, performance. La selección de obras que se expondrán está compuesta por 29 obras: 15 pinturas, 8 videos, 1 fotografía y...

Press

El Confidencial
‘La exposición que bucea en la vida de cien artistas y por qué estos se dedicaron al arte’, Abraham Rivera
02 Dec, 2023
El Periódico de España
‘Histeria, surrealismo y otras maquinaciones’, Joaquín Jesús Sánchez
26 Jul, 2023
El Cultural
‘Cristina Garrido, el artista nace y se hace (y quizá sea Aries)’, Luisa Espino
30 Jun, 2023
RTVE Desatados
El origen de las formas, Cristina Garrido
23 Jun, 2023
ABC Cultural
‘Las cartas boca arriba en el ca2m’
17 Jun, 2023
Letra Global
‘El origen de las formas’, Ignacio Vidal-Folch
17 Jun, 2023
El IVAM da voz a la creación joven en la primera exposición del programa de investigación y producción 'Art i Context'
ABC
07 Jun, 2023
AD
‘Así son las obras del Premio Cervezas Alhambra de Arte Emergente 2023’
24 Feb, 2023
El Pais Semanal
‘Arte que se nutre de la artesanía’
23 Feb, 2023
ABC Cultural
‘Quería cuestionar los usos de la imagen de La Alhambra’, Manuel Muñiz
20 Feb, 2023
Artforum
Critics’ picks
28 Oct, 2022
ABC Cultural
‘Maquillar a los conceptuales’, Victor Zarza
01 Oct, 2022
El Cultural
‘Oriol Vilanova y Cristina Garrido, espigadores del siglo XXI’, Luisa Espino
07 Dec, 2021
Le Quotidien de l´Art
Quitter l´art
18 Nov, 2021
La Voz de Galicia
‘Cristina Garrido reflexiona en DIDAC sobre el éxito en el arte’, Paco Rodríguez
31 Oct, 2021
Point Contemporain
‘Every move is professional’, Doriane Spiteri
04 Jun, 2021
Exit Express
Voces. Entrevista a Cristina Garrido, Héctor Tarancón
17 Dec, 2020
Artoday
Entrevista con Cristina Garrido
28 Nov, 2020
Exhibart
‘Genius Steals, Rodriguez Gallery’, Dobroslawa Nowak
21 Nov, 2020
Campo de relámpagos
‘Elogio del agente de aduanas: la suspicacia como práctica crítica’, Carlos Copertone
08 Nov, 2020
A*Desk
‘Robarnos el tiempo’, Claudia Elies
12 Oct, 2020
El Cultural
‘Breve historia del arte de lo doméstico’, Luisa Espino
07 Apr, 2020
El Mundo
‘Las 20 mujeres del arte en España’ Antonio González
29 Feb, 2020
El Cultural
‘Materia gris en el primer paseo por ARCO’, Luisa Espino
25 Feb, 2020
El Cultural
Entrevista a Cristina Garrido, Luisa Espino
07 Feb, 2020
Babelia
‘Los siete jóvenes que toman el relevo del arte en España’, Bea Espejo
01 Feb, 2020
Mousse Magazine
Cristina Garrido by Joshua Simon
01 Jun, 2019
El Cultural
‘Con, contra, para la galeria’, Elena Vozmediano
21 Sep, 2018
Le Monde
‘Avec Art-o-Rama, Marseille se démarque sur le marché de l’art’, Roxana Azimi
19 Aug, 2018
A*Desk
‘Usted aprieta el botón, nosotros hacemos el resto’, Marta Ramos-Yzquierdo
07 May, 2018
La Tempestad
‘Modos dominantes de producción artística’
01 Mar, 2018
Beis
‘Bootworks. Más allá del Arte’, Inma Benedito
01 Feb, 2018
Mousse Magazine
Cristina Garrido “A Dominant Mode of Art Production” at Galería CURRO, Zapopan
01 Feb, 2018
Artviewer
‘Cristina Garrido @ The Goma’
10 Jan, 2018
Babelia
‘Mercado ferial’, Bea Espejo
09 Dec, 2017
ABC Cultural
‘Un futuro cercano’, Carlos Delgado Mayordomo
02 Dec, 2017
FB
“Boothworks”, Luis Francisco Pérez
02 Dec, 2017
El Cultural
‘Cristina Garrido y el arte ferial’, Elena Vozmediano
01 Dec, 2017
Art Monthly
‘In Quotes’, Matthew Bowman
01 Oct, 2017
El Cultural
‘Elección sub-35: estos son, esto hacen’, Luisa Espino
01 Sep, 2017
Postimees Kultuur
‘Kümme aastat Eesti Kaasaegse Kunsti Muuseumi’, Andreas Trossek
01 Jul, 2017
Exit Express
’24/7 Capitalismo 2.0. Nuevo régimen de producción de la realidad’, Javier González Panizo
01 Apr, 2017
El País
‘Currando a todas horas, en todos los lados’, Sergio C. Fanjul
17 Feb, 2017
Wolfsburger Nachrichten
‘Was wäre die Kunst ohne das Internet?’, Von Eva Hieber
03 Feb, 2017
Neo2 Magazine
‘Cristina Garrido en la City Gallery de Wolfsburg’, Mit Borrás
20 Jan, 2017
Estonian
‘Networked or Unmonumental. Spanish Contemporary Art After the Internet’, Pau Waelder
01 Jan, 2017
Terremoto Magazine
“http://www.mit.edu/~ruchill /lazycurator.html”
29 Oct, 2016
Springerin
‘Spekulation und Gegenspekulation. Modelle sum Denken der Gegenwart’, Joshua Simon
01 Jul, 2016
Arteinformado
‘Siete jóvenes artistas españoles con presencia en Europa’, Paula Alonso Poza
17 Jun, 2016
Artishock
‘Crítica Institucional, Internet y valor commercial del arte: un diálogo via e-mail con Cristina Garrido’, Lorena Larraz
23 Feb, 2016
Revista Arcadia
‘Manual para montar una instalación de arte contemporáneo’
07 Oct, 2015
Artnet News
‘What To See at Art-O-Rama 2015’, Hili Perlson
28 Aug, 2015
this is tomorrow
‘A Room with a View’, David Armengol
26 Jul, 2015
El Cultural
‘Generadores de código’, Elena Vozmediano
13 Mar, 2015
ABC Cultural
‘Artistas imprescindibles de ARCO’15’, Fernando Castro Flórez
23 Feb, 2015
Artishock
‘Partir do Erro’, Marta Ramos-Yzquierdo
30 Oct, 2014
Artishock
‘Un recorrido subjetivo: mis favoritos de Arco’, Carolina Castro Joquera
20 Feb, 2013
ABC
‘Arte joven, un verdadero género’, Óscar Alonso Molina
09 Oct, 2012
He Needs Me | 30 ans de la Collection Veys-Verhaevert
2024
Losange
French
Paperback
22,5 x 18 cm
He Needs Me | 30 ans de la Collection Veys-Verhaevert - The Goma
El origen de las formas
2024
Comunidad de Madrid. Publicaciones Oficiales
Spanish and English.
Paperback
24 x 15 cm
ISBN 9788445141090
El origen de las formas - The Goma
Programa Art i Context (2021-2023)
2023
Spanish, Inglish, Valencian
Paperback 392 pages
27 x 18 cm
ISBN 9788446269371
Programa Art i Context (2021-2023) - The Goma
Tino Grandío | Correspondencias
2023
Abanca
Spanish
Hard Cover
24,5 x 17,5 cm
ISBN 978840960
Artists:
Tino Grandío | Correspondencias - The Goma
The Best Job in the World
2022
Fundación DIDAC
Spanish and English
Softcover
24 x 16,8 cm
ISBN 978-84-92772-79-7
This book brings together a total of ten works by the artist from 2011 to the present, allowing the recognition of sustained interests that mark a mature conceptual line in which everything that encompasses the world of art is analyzed. The design itself can be understood as an extension of the work, with a craft paper cover that alludes to the idea of ​​packaging and has a postcard from his latest exhibition at the Didac Foundation attached to it; and includes a small evaluation bulletin with notes and comments from his time in the classrooms of the Camberwell College of Arts.

Texts by Cristina Garrido, Martí Manen, Joshua Simon, Marta Ramos-Yzquierdo, Olga Fernández López.
The Best Job in the World - The Goma
More information
Full House: 400 Pieces from the Frédéric de Goldschmidt Collection
2021
Mercatorfonds
English
Hardcover 304 pages
31,5 x 28 cm
ISBN 9462302855
Full house is about two exhibitions that took place, five years apart, in the same building of the center of Brussels. Over 300 contemporary art works from the renowned collection of Frédéric de Goldschmidt were presented in total.
Full House: 400 Pieces from the Frédéric de Goldschmidt Collection - The Goma
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The World Exists To Be Put On A Postcard
2019
Thames & Hudson
English
Softcover 160 pages
22 x 22 cm
ISBN 0500480435
The world exists to be put on a postcard features postcards, several reproduced at actual size, designed by notable modern and contemporary artists, including Carl Andre, Eleanor Antin, Joseph Beuys, Tacita Dean, Gilbert & George, Richard Hamilton, Susan Hiller, Richard Long, Bruce Nauman, Yoko Ono, Dieter Roth, Gavin Turk, Mark Wallinger, Rachel Whiteread and Hannah Wilke, many of which are published here for the first time. Organized thematically into chapters, such as ‘Graphic Postcards’, ‘Political Postcards’, ‘Portrait Postcards’ and ‘Composite Postcards’, this book demonstrates the significance of artists’ postcards in contemporary art.
The World Exists To Be Put On A Postcard - The Goma
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The (Invisible) Art of Documenting Art
2019
Caniche editorial
Spanish and English
Softcover 160 pages
30 x 22,5 cm
ISBN 978-8494516177
We are screen art spectators. Virtual consumers of contemporary art. Visitors to museums, galleries, biennials, and art fairs without having to move from where we are, thanks to professionals who portray artworks, exhibitions, installations, performances, and even sound art. Their ways of looking produce images that synthesize and transform the artworks, opening doors to curiosity.

Who are these photographers? How is the process they follow when creating images? How do they manage to stand out in the era of smartphones and platforms of compulsive consumption of images? Why in the art system, specially concerned about authorship, they are so unnoticed that one needs a magnifying glass to find their name in the credits?

Visual artist Cristina Garrido went to meet eight of them (Roberto Ruiz, Peter Cox, Moritz Bernoully, Carlos Díaz Corona, PJ Rountree, Erika Barahona Ede, Ela Bialkowska y Andrea Rossetti). This is the story –or at least one of the stories– of art’s B-side: the (invisible) figure of the photographer who documents contemporary art.
The (Invisible) Art of Documenting Art - The Goma
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Dialogue de l'Ombre Double
2018
Centro de Arte Alcobendas
Spanish
Softcover 86 pages
ISBN 978-84-947420-5-7
Dialogue de l'ombre double investigates the relationship between artists and commercial galleries, presenting a series of works that shed light, in an interesting and little explored way, on the concept of the gallery, seen through the prism of artistic production. The exhibition has been raised on a series of concepts related to shadow, projection, dialectics, rhythm and feedback. Through these, an attempt is made to trace a journey through the complex and poorly understood relationship between artist and gallery owner, an essential part of the art system.
Dialogue de l’Ombre Double - The Goma
Mil bestias que rugen
2017
Centro Andaluz de Arte Contemporáneo
Spanish
Softcover 125 pages
An exhibition catalogue that brings together works by 24 national and international artists and that invites us to think about how the exhibitions reflected, but also contributed to building some of the most representative historical accounts of the 20th century.

Artworks by Ed Atkins · Yto Barrada · Lothar Baumgarten · Mabe Bethônico · Mel Bochner · René Burri · Tacita Dean · Marcel van Eeden · Sandra Gamarra · Cristina Garrido · Isaías Griñolo · Hans Haacke · Mathieu Kleyebe Abonnenc · Ursula Mayer · Porter McCray - MoAA · Falke Pisano · Walid Raad · Sara Sejin Chang (Sara van der Heide) · Vladislav Shapovalov · Amie Siegel · Lucas Simões · Oriol Vilanova · Simon Wachsmuth · Emma Wolukau-Wanambwa
Mil bestias que rugen - The Goma
More information
Neue Anthologie des Schwarzen Humors
2017
Marixverlag
German
Softcover 396 pages
21,5 x 13 cm
ISBN 9783737410427
Neue Anthologie des Schwarzen Humors - The Goma
More information
Worlds in Contradiction - Areas of Globalisation
2015
Verlag fur Moderne Kunst
English and German
Softcover 192 pages
ISBN 978-3903004207
Worlds in Contradiction – Areas of Globalisation - The Goma
More information
Generación 2015 Proyectos de Arte Fundación Montemadrid
2015
Fundación Montemadrid
Spanish
Softcover 176 pages
ISBN 978-84-606-5602-9
Exhibition's catalogue
Generación 2015 Proyectos de Arte Fundación Montemadrid - The Goma
Prácticas artísticas contemporáneas
2015
Editorial Universitaria Ramón Areces
Spanish
Softcover 232 pages
ISBN 978-8499611617
This book aims to carry out an approach to a better understanding of the new and different artistic dynamics that have taken place since the seventies.
Prácticas artísticas contemporáneas - The Goma
More information
Una mesa en LaVerónica: capítulo 4 [Bea Espejo, Cristina Garrido & Tania Pardo]
2015
Spanish
Softcover 35 pages
21 x 15 cm
Una mesa en LaVerónica: capítulo 4 [Bea Espejo, Cristina Garrido & Tania Pardo] - The Goma
They are these or they maybe others
2015
3+1 Arte Contemporânea
Spanish and Portuguese
Rústica 12 pages
21 x 14,5 cm
Exhibition's catalogue
They are these or they maybe others - The Goma
BIAM 2014 - Biennal d´Art Ciutat d´Amposta
2013
Ajuntament d´Amposta
Spanish, Catalonian, English
Softcover
23 x 16,5 cm
BIAM 2014 – Biennal d´Art Ciutat d´Amposta - The Goma
POSTCARD NARRATIVES. Jeremy Cooper & invited artists
2013
Room Books
English
Softcover
POSTCARD NARRATIVES. Jeremy Cooper & invited artists - The Goma
Hacer en lo cotidiano
2013
Comunidad de Madrid
Spanish and English
Softcover
30 x 25 cm
ISBN 978-84-451-3471-9
Exhibition's catalogue
Hacer en lo cotidiano - The Goma
More information
The Postcard is a Public Work of Art
2013
X Marks the Bökship
English
Hardcover
10,5 x 15 cm
Limited edition: 300 copies
The Postcard is a Public Work of Art - The Goma
Artists' Postcards: A Compendium
2012
Reaktion Books
English
Hardcover and softcover. 344 pages
28 x 23 cm
ISBN 1780235135
Over the last twenty years an increasing number of artists have turned to expressing themselves through postcards. Whether by way of installation, collage, addition to, or alteration of existing postcards, or the production of postcards themselves, many prominent artists employ the medium in some form. Artists’ Postcards traces the origin of artists’ fascination with postcards from the early 1900s but with a focus on the contemporary, revealing the significant number of artists who have made creative and unusual artworks in postcard form.With 400 images of postcards created by many well-known artists, Artists’ Postcards is the first critical guide to the subject. From surrealists to Fluxus and conceptual artists, this book includes an array of historical and contemporary postcards by such artists as George Grosz, Bruce Nauman, Richard Long, David Hockney, Richard Hamilton, Susan Hiller, Joseph Beuys, Ben Vautier, Dieter Roth, Ray Johnson, Gordon Matta-Clark, Gavin Turk, Tacita Dean, Gilbert and George and Rachel Whiteread, Artists’ Postcards will be of interest to artists and graphic designers, as well as to postcard collectors.
Artists’ Postcards: A Compendium - The Goma
More information
XXIII Circuitos
2012
Comunidad de Madrid
Spanish
Softcover 143 pages
24 x 17,5 cm
ISBN 978-84-451-3445-0
XXIII Circuitos - The Goma